Sarnet can be simultaneously gravely serious while still demonically funny, in a blend meant to catch the audience off balance. In his opinion, it is the sign of great art when you cannot perceive the artist's intention; while it still absorbs and makes you laugh or cry, or even both. How to mix different realities, to combine the artificial with the essence of life, and what is birthed from this new symbiosis. To dare to go to a risky place where you don't easily reveal what you are driving at. His previous film November (2018), a pagan folk tale, was internationally acclaimed and is still travelling.
2022 Vaino Vahingu päevaraamat (The Diary of Vaino Vahing)
2011 Idioot (The Idiot)